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Mary Brazier's avatar

Very much agree. There are a number of notorious ‘tellers of tall tales’ Christopher Lee for example. But there is something particularly noxious about those who chose to present fictional memoirs of the Holocaust. What responsibility do publishers have to undertake due diligence and not take these at face value, they do as much harm to our understanding of the Holocaust as certain pyjama based ‘children’s’ books.

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Barendina Smedley's avatar

Obviously I agree that there is no place for inaccuracy in anything relating to the Holocaust, which is why I have a huge amount of respect for those who put all the hard work into finding out the truth, or otherwise, behind some of these narratives.

A question, though, if I may - why do people like Avery do it? Do you think he was simply and cynically trying to reap the rewards of something he knew perfectly well never happened? Or did he 'improve' on something real until the real story came to be encased in a thick carapace of self-aggrandising fiction? Or was there some actual trauma which he managed to cover up by creating a narrative in which he was more in control, more the hero and benefactor, than he managed to be in real life? In short, did he come to believe any of this stuff?

'Old men forget, and all shall be forgot - but we'll remember with advantages what deeds we did that day' ...

Few narratives of any sort are indisputable; plenty involve wishful thinking, selective memory, literary 'improvement' and revision; when the subject is the Holocaust, though, the stakes are perhaps uniquely high. I very much agree with you that publishers these days have a real obligation to run any Holocaust narrative past someone - ideally, several people - with deep scholarly knowledge of the sources, existing narratives and, yes, existing fakes. And there is literally no excuse at all for Hodders to keep the wretched Avery book on sale.

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